Murli Melwani is the author of Stories of a Salesman (a collection of short stories), Deep Roots (a play), and Themes in Indo-Anglian Literature and The Indian Short Story in English 1835-2008 (two books of literary criticism)
Review by Kusum Choppra
The title of Murli Melwani’s collection of short stories should have been “Against Many Skies.” More than half the stories crisscross India and her myriad cultures; the rest follow the ancestral trading trails beyond India’s borders trod by the hoary ancestors of a unique community, the Sindhis. I was so impressed by the perspectives the stories present that I could not help but make brief comparisons with the reality that exists today.
“A Bar Girl.” The story touched me greatly. The life styles that both Amar Badlani and Rak have chosen prevent them from stopping and evaluating their lives or asking where there are heading. For me the significant event was the visit of Amar Badlani with Rak to her village; it brought home to him the fact that his estrangement from his family had its roots in his working life. His damage control efforts lead him to finance the nursing education of Rak and make overtures to his kids and grandkids. His efforts succeed. As a kid in Jakarta, I remember seeing and hearing about Sindhi men with local wives. People talked disparagingly about them. But then that’s life, you take the sour with the sweet and turn it into bhel.
The young Jimmy Ramnani, In ”Writing a Fairy Tale,” had literary aspirations. But the attraction of money and the ties to family that made his comfortable life possibly distracted him from his dream. In Carmen, the wife of one his bigger buyers, he found a kindred spirit who revived the dormant literary aspect of his personality. However, when push came to shove, he put family before his own happiness. Had he married Carmen, (a) his family would have lost the business of the cash-cow client of theirs, (b) his family may have cut him off. Was he ready to start life with an almost entry-level income, and a wife who had known a luxurious life with her present husband? Call him a nice and warm human being but a calculating one.
The writer brings out the effects of “Mei Mard hu” attitude of Hassaram in “ The Mexican Girl Friend” and of Metha(Mike) Uttamchandani in “ Hong Kong Here I Come” quite forcefully. The feelings and unhappiness of the women in their life matters little to both men. Metha’s ego justifies his coldness to the wife he selected with such clinical calculation in the gallery presented to him in the (arranged) marriage market. Will he treat Gita(Rita) differently as he promises himself when he takes his halting steps on the road to financial recovery? Or will it be a forgotten pledge?
“Requital,” apart from the refreshing atmosphere of the North East, reminded me of Sindhi young men, who steal the customers and sources of supply of their bosses – they bite the hands that gave them a start in life.
“The Bhorwani Marriage” captures the comic drama, rather the mini dramas, enacted when a marriage is being arranged.
The best story in the collection is “Water on a Hot Plate.” The narrative flows with events, meaningful conversations, memories. The issues touched up are the classic dilemmas of expatriates. In this case an element of poignancy is added by the fact that the chief concern of the older characters is about the loss of their unique culture with its blend of Hindu, Islamic and Sikh traditions.
“Gift for the Goddess.” When modern engineering and superstition collide in rural areas, who wins? You guessed it: superstition. What I wonder is that when men think of evil, why do they attribute it to a goddess/ a ma?
“Sunday with Mary” is typical of middle class life and yet it is atypical. How many couples take that trouble to ferret out that little space in a hard existence for each other and organize the day and week around it? Six days of spoken and unspoken bickering? These are the marriages that survive all the odds and there plenty of them around.
“Teesta Holiday” was chilling. A life changing experience, I would imagine, for all four. The question is, or the better or worse? Will they never venture into the hills again? Or will they learn to appreciate life better after coming face to face with death?
In “Shiva’s Winds,” we are not shown people coming face to face with death. The story is about those who challenge the elements. We are told about the reasons why the seasonal laborers trek to higher altitudes, the vagaries of weather, and the final surprise about the baby who conquers the elements while the adults don’t.
“The Inner Light” reflects the reality of religion exploiting the gullible. What is different about the story is that the young kid has been brainwashed into the role practically from birth! I am quite horrified by all the reality shows featuring children; their parents put them through such terrible wringers for those 15 minutes of fame in the idiot box.
“The Guerilla’s Daughter,” “Sunday on a Green Lawn” and “The Seasons of Contentment” are love stories on the surface, but their unstated undercurrent reflects our innate refusal to accept each other and shows our biases towards background, economic status, caste, region, or religion. Why do we insist on creating and drawing lines instead of dissolving them? We have a hoary history of merging and mingling.
“The Village with Gandhi’s Statue” is also about our propensity to draw inimical lines. Who decreed that death by fire was the punishment for stealing two brass tumblers?
I love the irreverent in “Waiting for Leander Paes, Sania Mirza or Somdev Dev-Varman.” It speaks up, while examining the players’ personalities via their playing styles, and mastering it’s master!
“Eight Rupees” reminded me of my own experience with a shoe shine boy years ago. Wonder where he is now? He belonged to group of enterprising young with the capacity and drive to go places.
“The Shrine” is yet another take on sati, after Padmavati, this time for a lover where the husband failed to ignite.
Let me confess. As a post-Partition Sindhi, these stories evoked so much delightful nostalgia for a long gone past, those memories of eavesdropping on conversations of homecoming uncles and cousins, accidental overheard chatter, tales of wheeling dealing, adjusting to different environments, the second families abroad, the celebrations, the songs, looking, listening, absorbing, until one day one realized – so this is what being Sindhi is all about!
I’m sure that the various layers of the stories will appeal to different sensibilities, which means to a lot of readers.
Here’s the link to the review: http://www.boloji.com/articles/50180/a-ladder-for-everyone-to-climb-by-murli-melwani
ALIENS IN A NEW HOMELAND
Review by Sandeep Sinha
Ladders Against The Sky is a collection of 23 short stories, centering around Hindu Sindhis, a community that lost its homeland when India was partitioned in 1947. The Hindu Sindhis now exist as a diaspora. The author says the contradiction of outward conformity to the mores of societies they live in and the longing for their lost culture has baffled observers. He has tried to show they have lives as individuals too by breaking the stereotypes.
The book reminds of the novel Mulligatawny Soup by Manorama Mathai, based on the Anglo-Indian community that comes to grip with the new reality after the British withdraw from India. This collection of short stories, similarly gives a peep into the psyche of the Sindhi community.
It comes as a revelation that the community flourishes in places such as Hong Kong, Taiwan and South America. Their acumen for business is well documented, not surprising since the author himself kept changing careers — from working in his father’s textile store to being a distributor for Coca Cola in Meghalaya, from running a book store to teaching English literature in a college, before finally taking the plunge to head an export company in Taiwan.
The author’s rich knowledge of the export business is revealed in the story, The Head of a Chicken, in which an immigrant into Hong Kong struggles his way to reach the top. Though the author tries to show how he buries all scruples to do so, along the journey, one learns what it takes to get going in the export business. Hong Kong, Here I Come offers an insight into customs and tradition of these countries.
The Bar Girl has a beautiful theme in which a divorced businessman gets close to a bar girl but realizes the disruptions it will cause in their lives. He finances the girl’s education as a nurse to help her get out of the profession, and then goes out of her life. But not without the girl telling him that she has married but does not love her husband because she actually loved him. A similar theme crops up in the story, Writing a Fairy Tale, in which the man falls in love with the wife of a client, realizes the upheaval it would cause in their lives, and finally places family before personal happiness.
However, the one story that leaves one slightly perplexed is The Mexican Girlfriend. Despite being egocentric and a dominant patriarch, the need for Hassaram to shoot his son’s Mexican girlfriend, is baffling.
The father is against his son marrying Linette, a descendant of the Conquistadores, and talks him out of his reverie. Not reconciled to this, the son elopes with Linette after marrying an Indian girl as per his father’s wishes, feigning kidnapping. An enraged father shoots the girl and flees to India.
The first section of the short stories, Abroad, is quite readable. It deals with the community’s toil on foreign shores, their adaptability, success and a desire to retain their oneness.
The second section, In Transit, is a portrayal of cultural practices like in The Bhorwani Marriage. The third section, At Home, has stories that are varied — Teesta Holidays about nature’s fury, Shiva’s Winds about a miracle in which an infant survives icy winds near Rohtang Pass and The Inner Light is about how Buddha gets the gift of prescience.
The book has a foreword by actor Victor Banerjee, the choice reflecting the yearning of the diaspora as Banerjee acted in the David Lean’s film, A Passage To India, based on EM Forster’s book. The cover of the book has the Sindhi Ajrak patterns, suggesting the diversity of stories. The author uses “pranams” and “dhanyawads” to thank his collaborators, balancing tradition and modernity, symbolizing the cleft the community finds itself caught in.
Here’s the link to the review: http://www.tribuneindia.com/news/spectrum/books/aliens-in-a-new-homeland/559246.html
Urbane, Exotic and Sophisticated
Review by U. Subramaniam
I have just finished reading Ladders against the Sky. A short story collection form the chronicler and critic of the genre after the lapse of decades. May more volumes follow from his that don’t compromise the sentinel’s guard!
The Overseas Stories are longer, urbane and sophisticated. The activities of Sindhi businessmen are portrayed with empathy and truthfulness. These hard-headed men are moved by the sincerity of a bar girl, a customer’s wife and a Mexican girl and respond magnanimously. The writer has a story to tell and he tells it in clear language with a thorough analysis of the background. No wonder Somerset Maugham comes to mind.
The Indian Stories are shorter, rural oriented and exotic. How a shrine originates, how a swami crops up and how a stranger is treated are narrated with graphic detail. Two couples escape from Nature’s wrath in one story whereas a family is martyred on the same altar in another. The stories present contrasting aspects of Nature. “The Bhorwani Marriage” adds humor to the fare. No wonder Mulk Raj Anand comes to mind.
U. Subramaniam is the author of the following collection of short stories: Vimala is Willing and Other Stories, The Committed Official, When the Pandavas Won, The Evening of Life, As Dusk Falls, Selected Stories.
An Engrossing Collection of Short Stories
Review by Maina Saikia
When we look at the Brahmaputra river we see not only its beautiful surface but also become aware of the undercurrent. This is the comparison my mind made when I read Murli Melwani’ s collection of short stories. On the surface Murli Melwani’ s stories hold our attention because of the series of events, the strokes delineating character, the touches of description and the dialogue. The undercurrent is formed by the social concerns, political issues, the contrast of traditions and the ethos of the setting, all of which are suggested rather than stated.
Stories like “Gift for the Goddess” and “The Divine Light,” set in Rajasthan, bring out the clash between traditional thinking and the scientific temper of the space age. “Shiva’s Winds” and “Teesta Holiday,” embedded in the rugged beauty of the Rothang Pass and the North Bengal Hills respectively, pit the forces of nature against the indomitable human spirit. “The Village with Gandhi’s Statue,” with the background of the tobacco growing areas of Andhra Pradesh, exposes the moral heartlessness of the influential.
It’s understandable that a large number of stories should be set in the North East since the author grew up and was educated in Shillong. “The
Guerilla’s Daughter” is a story about the insurgency in Nagaland and the syncretic nature of religion. The picturesque beauty of Shillong and the
Khasi Hills is an apt backdrop for some of the stories. “Sunday on a Green Lawn” is a touching love story. “Those Season of Contentment,” is about the growing up and the heartbreak of loss. “Requital” records how irony plays out in life. “The Shrine” presents a Khasi folktale as a re-mix (the current fashion in music and the arts).
Humor and satire move the narrative forward in in some of the stories. Good examples are “Hawana of the East,” which records the relaxed manner in which officialdom functions in the remote border areas, and “The Bhorwani Marriage,” which focuses on the maneuvering that takes place when
expatriates fly into India to find partners for their children.
“Sunday with Mary,” set in urban Mumbai, is a picture of the sort of life led by expatriates who return to India.
There is a group of stories about Indians, particularly Sindhis, who have decided to settle overseas. The backgrounds of these stories extend from Chile to Thailand and a few countries in between. “Water on a Hot Plate” shows an NRI and an Indian-Chinese restaurateur sharing their memories of India. “The Head of a Chicken,” moving between Hong Kong and Taiwan, is the story of an unscrupulous businessman who will do anything to further his ends. “Writing a Fairy Tale” tells of the attraction between and an Indian exporter and a beautiful women trapped in an unhappy marriage with the exporter’s client. A hostess in a Thai bar, in “A Bar Girl”, helps an elderly businessman to restore his severed links with his family. “Hong Kong, Here I Come” and “The Mexican Girlfriend” are portraits of two insensitive individuals who destroy themselves and their families by their actions.
The variety of backgrounds and strong characterization form the two banks through which this mini brahmaputra of stories runs. Most of these stories were first published in journals and anthologies in the U.S., U.K., India and Hong Kong. Some of them were nominated for a number of awards.
The Foreword, by Victor Banerjee, a distinguished son of the North East, is highly perceptive. Mention must be made of designer Aditi Phukan’s unusual, eye-catching and pleasing layout.
I highly recommend Ladders Against the Sky by Murli Melwani.